The Paintrist Files
adayinhollywood:
Thomas Hill (1829-1908) - Emerald Bay, Lake Tahoe ,1864.
Los Angeles County Museum of Art. Wilshire Boulevard. 3:56 PM.

Thomas Hill (September 11, 1829 – June 30, 1908) was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.

adayinhollywood:

Thomas Hill (1829-1908) - Emerald Bay, Lake Tahoe ,1864.

Los Angeles County Museum of Art. Wilshire Boulevard. 3:56 PM.

Thomas Hill (September 11, 1829 – June 30, 1908) was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.

d-dieciocho:
Thomas Hill - The Last Spike - 1881
Hill’s most famous and enduring work is of the driving of the “Last Spike” at Promontory Summit, U.T., on May 10, 1869, to join the rails of the CPRR and UPRR. The huge 8 x 12 foot painting, which features detailed portraits of 71 individuals associated with the First Transcontinental Railroad, hangs at the California State Railroad Museum in Sacramento, California.
Promontory in Box Elder County, Utah, United States is an area of high ground 32 mi (51 km) west of Brigham City, Utah and 66 mi (106 km) northwest of Salt Lake City. Rising to an elevation of 4,902 feet (1,494 m) above sea level, it lies to the north of the Promontory Mountains and the Great Salt Lake. It is notable as the location of Promontory Summit where the First Transcontinental Railroad in the United States was officially completed on May 10, 1869.
By the summer of 1868, Central Pacific had completed the first rail route through the Sierra Nevada and was now moving down towards the Interior Plains and the line of the Union Pacific. More than 4,000 workers, of whom two thirds were Chinese, had laid more than 100 mi (160 km) of track at altitudes above 7,000 ft (2,100 m). In May 1869, the railheads of the Union Pacific and the Central Pacific railroads finally met at Promontory Summit, Utah Territory. A specially-chosen Chinese and Irish crew had taken only 12 hours to lay the final 10 miles (16 km) of track in time for the ceremony.

d-dieciocho:

Thomas Hill - The Last Spike - 1881

Hill’s most famous and enduring work is of the driving of the “Last Spike” at Promontory Summit, U.T., on May 10, 1869, to join the rails of the CPRR and UPRR. The huge 8 x 12 foot painting, which features detailed portraits of 71 individuals associated with the First Transcontinental Railroad, hangs at the California State Railroad Museum in Sacramento, California.

Promontory in Box Elder County, Utah, United States is an area of high ground 32 mi (51 km) west of Brigham City, Utah and 66 mi (106 km) northwest of Salt Lake City. Rising to an elevation of 4,902 feet (1,494 m) above sea level, it lies to the north of the Promontory Mountains and the Great Salt Lake. It is notable as the location of Promontory Summit where the First Transcontinental Railroad in the United States was officially completed on May 10, 1869.

By the summer of 1868, Central Pacific had completed the first rail route through the Sierra Nevada and was now moving down towards the Interior Plains and the line of the Union Pacific. More than 4,000 workers, of whom two thirds were Chinese, had laid more than 100 mi (160 km) of track at altitudes above 7,000 ft (2,100 m). In May 1869, the railheads of the Union Pacific and the Central Pacific railroads finally met at Promontory Summit, Utah Territory. A specially-chosen Chinese and Irish crew had taken only 12 hours to lay the final 10 miles (16 km) of track in time for the ceremony.

apollia:
Thomas Hill, Mount Lafayette in Winter, 1870
from this page from Wikimedia Commons

apollia:

Thomas HillMount Lafayette in Winter, 1870

from this page from Wikimedia Commons

bezvedomie:

Thomas Hill - Encampment Surrounded by Mountains

bezvedomie:

Thomas Hill - Encampment Surrounded by Mountains

lacalaveracatrina:
Thomas Hill - The Muir Glacier in Alaska,1887
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in Winter. Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.
In plein air means to “paint outdoors and directly from the landscape”, which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill’s best works are considered to be these monumental subjects, including Great Canon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.
His 1865 View of the Yosemite Valley was chosen to be the backdrop of the head table at Barack Obama’s inaugural luncheon, to commemorate Lincoln’s 1864 signing of the Yosemite Grant. A painting has been chosen for every inaugural luncheon since 1985.

lacalaveracatrina:

Thomas Hill - The Muir Glacier in Alaska,1887

He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in Winter. Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.

In plein air means to “paint outdoors and directly from the landscape”, which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.

Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill’s best works are considered to be these monumental subjects, including Great Canon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

His 1865 View of the Yosemite Valley was chosen to be the backdrop of the head table at Barack Obama’s inaugural luncheon, to commemorate Lincoln’s 1864 signing of the Yosemite Grant. A painting has been chosen for every inaugural luncheon since 1985.

qof:

Thomas Hill: Chinese Man Tending Cattle

qof:

Thomas Hill: Chinese Man Tending Cattle

museofanartist:

Artist of the Week: Thomas Hill


I was inspired to make a post about Thomas Hill because I’m leaving for Yosemite national park today and was doing some research. He is known for his landscape paintings of Yosemite and so they popped on the site. I love love love landscapes (though I have no experience in them myself…I’m working on that) since they have a sort of timeless feel to them.

Thomas Hill studied at the Pennsylvania Academy of Fine Arts and not surprisingly was well acquainted with some artists from the Hudson Valley River School.

I hope you enjoy his paintings as much I do :]

I do, i do..

fleurdulys:
Thomas Hill - View of Yosemite Valley - 1871
Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley 1889.

fleurdulys:

Thomas HillView of Yosemite Valley - 1871

Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.

Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley 1889.

art-yeti:

Thomas Hill, Yosemite Valley; 1876

Thomas Hill (September 11, 1829 – June 30, 1908) was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.
Thomas Hill was born in England on September 11, 1829. At the age of 15, he emigrated to the United States with his family. They settled in Taunton, Massachusetts. In 1851, he married Charlotte Elizabeth Hawkes. They had nine children.
At the age of 24, Hill attended evening classes at the Pennsylvania Academy of the Fine Arts (PAFA) and studied under American painter Peter Frederick Rothermel (1812–1895). During his years as a student, Hill traveled to the White Mountains in New Hampshire as early as 1854 and sketched alongside members of the Hudson River School, such as Benjamin Champney. In 1856, Hill and his family moved to San Francisco, California.
With painter Virgil Williams and photographer Carleton Watkins, Hill made his first trip to the Yosemite Valley in 1865. The next year, Hill traveled to the East Coast and Europe. He established his family on the East Coast but continued to take sketching trips to the West Coast and to attend meetings of the San Francisco Art Association. He moved his family back to San Francisco in 1873.
Hill made yearly sketching trips to Yosemite, Mount Shasta, and, back east, to the White Mountains. Hill ran an art gallery and art supply store. He briefly acted as the interim director for the SFAA School of Design and went to Alaska on a commission for environmentalist John Muir. He lived on his stock market investments as well as his art proceeds. His marriage ended in the 1880s.
Toward the end of his life, he maintained a studio at Yosemite’s Wawona Hotel. After suffering a stroke, Hill left Yosemite and traveled up and down the California coast, including stops in Coronado, San Diego and Santa Barbara. He died in Raymond, California, on June 30, 1908, and is buried at Mountain View Cemetery in Oakland, California.

art-yeti:

Thomas Hill, Yosemite Valley; 1876

Thomas Hill (September 11, 1829 – June 30, 1908) was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire.

Thomas Hill was born in England on September 11, 1829. At the age of 15, he emigrated to the United States with his family. They settled in Taunton, Massachusetts. In 1851, he married Charlotte Elizabeth Hawkes. They had nine children.

At the age of 24, Hill attended evening classes at the Pennsylvania Academy of the Fine Arts (PAFA) and studied under American painter Peter Frederick Rothermel (1812–1895). During his years as a student, Hill traveled to the White Mountains in New Hampshire as early as 1854 and sketched alongside members of the Hudson River School, such as Benjamin Champney. In 1856, Hill and his family moved to San Francisco, California.

With painter Virgil Williams and photographer Carleton Watkins, Hill made his first trip to the Yosemite Valley in 1865. The next year, Hill traveled to the East Coast and Europe. He established his family on the East Coast but continued to take sketching trips to the West Coast and to attend meetings of the San Francisco Art Association. He moved his family back to San Francisco in 1873.

Hill made yearly sketching trips to Yosemite, Mount Shasta, and, back east, to the White Mountains. Hill ran an art gallery and art supply store. He briefly acted as the interim director for the SFAA School of Design and went to Alaska on a commission for environmentalist John Muir. He lived on his stock market investments as well as his art proceeds. His marriage ended in the 1880s.

Toward the end of his life, he maintained a studio at Yosemite’s Wawona Hotel. After suffering a stroke, Hill left Yosemite and traveled up and down the California coast, including stops in Coronado, San Diego and Santa Barbara. He died in Raymond, California, on June 30, 1908, and is buried at Mountain View Cemetery in Oakland, California.

classic-art:
Thomas Hill - Deer in a Landscape

classic-art:

Thomas Hill - Deer in a Landscape