The Paintrist Files
William Hodges - Portrait of James cook (1728-1779) - 1775-76
oil on canvas, Measurements Painting:762 x 635 mm
National Maritime Museum, London, UK
William Hodges RA (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook’s second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.
Hodges was born on 28 October 1744 in London. He studied under William Shipley, and afterwards in the studio of Richard Wilson, where he met Thomas Jones.
During his early career, he made a living by painting theatrical scenery.
Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expedition’s artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook’s journals from the voyage.
Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.
Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition.
In 1778, under the patronage of Warren Hastings, Hodges travelled to India, one of the first British professional landscape painter to visit that country. He remained there for 6 years, staying in Lucknow with Claude Martin in 1783.
Later Hodges travelled across Europe, including a visit to St. Petersburg in Russia in 1790.
In 1793 Hodges published an illustrated book about his travels in India.
In late 1794 Hodges opened an exhibition of his own works in London that included two large paintings called The Effects of Peace and The Effects of War. In late January, 1795, with Britain engaged in the War of the First Coalition against Revolutionary France and feelings running high, the exhibition was visited by Prince Frederick, Duke of York and Albany, the second son of King George III. The Duke took offence at the political nature of Hodges’ paintings and ordered the exhibition closed; this royal censure effectively ended Hodges’ career as a painter.
Hodges retired to Devon and became involved with a bank, which failed during the banking crisis of March, 1797. On 6 March of that year, he died from what was officially recorded as “gout in the stomach”, but which was also rumored to be suicide from an overdose of laudanum.

William Hodges - Portrait of James cook (1728-1779) - 1775-76

oil on canvas, Measurements Painting:762 x 635 mm

National Maritime Museum, London, UK

William Hodges RA (28 October 1744 – 6 March 1797) was an English painter. He was a member of James Cook’s second voyage to the Pacific Ocean, and is best known for the sketches and paintings of locations he visited on that voyage, including Table Bay, Tahiti, Easter Island, and the Antarctic.

Hodges was born on 28 October 1744 in London. He studied under William Shipley, and afterwards in the studio of Richard Wilson, where he met Thomas Jones.

During his early career, he made a living by painting theatrical scenery.

Between 1772 and 1775 Hodges accompanied James Cook to the Pacific as the expedition’s artist. Many of his sketches and wash paintings were adapted as engravings in the original published edition of Cook’s journals from the voyage.

Most of the large-scale landscape oil paintings from his Pacific travels for which Hodges is best known were finished after his return to London; he received a salary from the Admiralty for the purposes of completing them. These paintings depicted a stronger light and shadow than had been usual in European landscape tradition. Contemporary art critics complained that his use of light and colour contrasts gave his paintings a rough and unfinished appearance.

Hodges also produced many valuable portrait sketches of Pacific islanders and scenes from the voyage involving members of the expedition.

In 1778, under the patronage of Warren Hastings, Hodges travelled to India, one of the first British professional landscape painter to visit that country. He remained there for 6 years, staying in Lucknow with Claude Martin in 1783.

Later Hodges travelled across Europe, including a visit to St. Petersburg in Russia in 1790.

In 1793 Hodges published an illustrated book about his travels in India.

In late 1794 Hodges opened an exhibition of his own works in London that included two large paintings called The Effects of Peace and The Effects of War. In late January, 1795, with Britain engaged in the War of the First Coalition against Revolutionary France and feelings running high, the exhibition was visited by Prince Frederick, Duke of York and Albany, the second son of King George III. The Duke took offence at the political nature of Hodges’ paintings and ordered the exhibition closed; this royal censure effectively ended Hodges’ career as a painter.

Hodges retired to Devon and became involved with a bank, which failed during the banking crisis of March, 1797. On 6 March of that year, he died from what was officially recorded as “gout in the stomach”, but which was also rumored to be suicide from an overdose of laudanum.

William Hodges - The Taj Mahal - late 1780s
Oil on canvas, Height: 890 mm (35.04 in). Width: 1,495 mm (58.86 in).
National Gallery Of Modern Art (NGMA), New Delhi, India

William Hodges - The Taj Mahal - late 1780s

Oil on canvas, Height: 890 mm (35.04 in). Width: 1,495 mm (58.86 in).

National Gallery Of Modern Art (NGMA), New Delhi, India

William Hodges - A View in Dusky Bay, New Zealand - 1773
oil on panel,  810 mm (31.89 in). Width: 795 mm (31.3 in).
Auckland Art Gallery, New Zealand

William Hodges - A View in Dusky Bay, New Zealand - 1773

oil on panel,  810 mm (31.89 in). Width: 795 mm (31.3 in).

Auckland Art Gallery, New Zealand

William Hodges - A Cascade in the Tuauru Valley, Tahiti - 1773
Oil on wood panel, 49.9 x 64.1 cm
National Maritime Museum,  London, UK

William Hodges - A Cascade in the Tuauru Valley, Tahiti - 1773

Oil on wood panel, 49.9 x 64.1 cm

National Maritime Museum,  London, UK

William Hodges - The Landing at Tana one of the New Hebrides - 1775-76
Oil on panel
National Maritime Museum, London, UK
New Hebrides was the colonial name for an island group in the South Pacific that now forms the nation of Vanuatu. The New Hebrides were discovered in 1606 by a Spanish expedition led by Pedro Fernandes de Queirós. The islands were colonized by both the British and French in the 18th century shortly after Captain James Cook visited the islands. The two countries eventually signed an agreement making the islands an Anglo-French condominium, which lasted from 1906 until 1980, when the New Hebrides gained their independence as Vanuatu.

William Hodges - The Landing at Tana one of the New Hebrides - 1775-76

Oil on panel

National Maritime Museum, London, UK

New Hebrides was the colonial name for an island group in the South Pacific that now forms the nation of Vanuatu. The New Hebrides were discovered in 1606 by a Spanish expedition led by Pedro Fernandes de Queirós. The islands were colonized by both the British and French in the 18th century shortly after Captain James Cook visited the islands. The two countries eventually signed an agreement making the islands an Anglo-French condominium, which lasted from 1906 until 1980, when the New Hebrides gained their independence as Vanuatu.

William Hodges - Waterfall in the Tuauru Valley, Tahiti
oil on canvas, 76x123 cm

William Hodges - Waterfall in the Tuauru Valley, Tahiti

oil on canvas, 76x123 cm

William Hodges - The War-Boats of the island of Otaheite (Tahiti), and the Society Islands, with a View of part of the Harbour of Ohameneno (Haamanino), May 1774.

William Hodges - The War-Boats of the island of Otaheite (Tahiti), and the Society Islands, with a View of part of the Harbour of Ohameneno (Haamanino), May 1774.

William Hodges - Tahiti, bearing South East - 1775
Oil on panel
National Maritime Museum, London, UK

William Hodges - Tahiti, bearing South East - 1775

Oil on panel

National Maritime Museum, London, UK

William Hodges - Cascade Cove, Dusky Bay(New Zealand) - 1775
Oil on canvas
National Maritime Museum, London, UK

William Hodges - Cascade Cove, Dusky Bay(New Zealand) - 1775

Oil on canvas

National Maritime Museum, London, UK

William Hodges - A view of the Cape of Good Hope, taken on the Spot, from on board the Resolution, Capt. Cook - 1772
Oil on canvas, 
National Maritime Museum, London, UK

William Hodges - A view of the Cape of Good Hope, taken on the Spot, from on board the Resolution, Capt. Cook - 1772

Oil on canvas, 

National Maritime Museum, London, UK