Jean Béraud - La Rue de la Paix , 1907
Jean Béraud (January 12, 1849 – October 4, 1935) was a French Impressionist painter and commercial artist noted for his paintings of Parisian life during the Belle Époque.
Yuriy Shevchuk - Paris Montmartre -
Born in 1961 in Kiev, Ukraine, Yuri Shevchuk attended the Kiev Art School and later the prestigious Kiev Architectural Academy. Yuriy has adopted the practice of recording his own experiences in his artworks: his three passions, painting architecture and cityscapes, jazz and historical cars have become the focus of his paintings. Since 1993 Shevchuk has been living in the city of Prague, which he depicts in many of his paintings and also where he exhibits his work widely. He has been described as an accomplished master, full of artistic and intellectual energy. Bewitched with jazz music he skillfully and rapidly sketches the cool and charming figures of musicians in action, showing the positive mood of jazz and the stunning spiritual intensity of this bright magical world. His lively and spontaneous paintings expertly translate the atmosphere and verve of the music, using dripping, seeping paints and pastels. Another part of his interests is retro cars. He does not paint cars as such, but tries to depict his emotional perception of retro style. So, the observer can feel spirit of the past on his works. Shevchuk, an associate member of the Pastels Society of America, has participated in numerous exhibitions and his work is held in collections all over the world. The clarity, harmony, the refined palette of colour and line attract sophisticated art and music lovers worldwide. In the presence of Yuriy’s paintings one can almost hear the blues, feel the beguiling emotions and impassioned feelings of the musicians translated through the artist; such intoxication supports the belief that Yuriy Shevchuk is undoubtedly among the leading contemporary artists exhibiting widely in the Czech Republic today.
Matthijs Maris - Steengroeve bij Montmartre - c. 1873
Matthias Marris (17 August 1839, The Hague - 22 August 1917, London) was a Dutch painter, etcher and lithographer. He was also known as Matthijs Maris or Thijs. Initially belonging to the Hague School, like his two brothers, Jacob and Willem, his later works deviated more and more from that school into a unique style influenced by the Pre-Raphaelites.
When Matthijs was twelve, he registed at the Hague Academy of Art, but did not pass the entrance exam. Therefore he took lessons from Isaac Cornelis Elink Sterk, secretary of the Academy. One year later he was admitted and studied there until 1855. A grant from Queen Sophie enabled him to follow his brother Jacob to Antwerp, where they rented rooms together. In 1858 Matthijs returned to The Hague, where Jacob already had a studio they could share. A later commission enabled them to travel in and start painting in Oosterbeek with painters as Gerard Bilders and Anton Mauve.
In 1860 he traveled with his brother Jacob along the Rhine to Switzerland and back through France to the Netherlands. In Cologne the brothers saw an exhibition that presented an overview of German art since 1800, which intensified the influence of German Romanticism on Matthijs.
Upon his return to the Netherlands Matthijs showed some of his works in Amsterdam and The Hague, but they were not well received. This led him to become bitter and withdrawn. Jacob was having success in Paris, and invited Matthijs to join him there, which he did in 1869. During the Franco-Prussian war of 1870-1871 Jacob returned to The Hague with his family and the loneliness after the departure of Jacob was difficult for Matthijs. There was bitter poverty for him, as for so many artists at that time in Paris, so he went back to work. His style changed very little and was more reminiscent of the earlier period. Later he would distance himself from these works, dismissing them as ‘potboilers’, only painted in order to put food on the table.
An art dealer Daniel Cottier convinced him to settle in London, which he did in 1877. There he painted more imaginative scenes: fairytale characters and enchanted castles. He also painted a number of brides in fine gray tones, delicate and hazy like a dream. He made portraits, especially children of friends like Baby lessor (private collection, 1880) and Barije Swan (Gemeentemuseum, 1887), the fragile child in her white and gray painted lace dress with fine color accents of yellow lemon and the blue ribbons. Children, whether or not combined with animals, were always a favorite subject. He painted portraits and figure in gray-brown tones in many layers, using dry loose paint. The image is as it were veiled in mist.
Matthijs died on August 22, 1917, when he was seventy eight, following a short illness, and was buried in London.
